Відео

Thank you for your fantastic job. I have been able to follow along with you, which I have not be able to with others. It's a little bit funny that I am practicing the rhythms following you explanations without even having a Darbuka yet. (It's actually in its way to me, but I cannot wait to to start learning). All these rhythms I managed to practice on the back and on the side of an baritone ukulele...;) I also want to thank you for your insights about the printed Remo fish skin. I just purchased one of those. I will probably change the skin on my upcoming Sombaty Darbuka with this skin, so I feel even more motivated with a better sound from the beginning. I am also into Bulgarian rhythms and learning to play the kaval as well. I was trying to get the groove of your example of 9/8 Karsilama, but I could not feel it. I have had to discern some dances and what people do with their clapping hands, to be able to grasp the groove of 5/8, 7/8, and 9/8. then based on your version of Karsilama, and thinking it faster, this way make more sense to me: (let me know what you think please!): Dk Tk Dk Tkk - Dk Tk Dk Tkk. (1-2 1-2 1-2 1-2-3) It Would be very interesting to me how Bulgarians would play this rhythm on the Darbuka...

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Thanks a lot! Well articulated teaching!

what a cutie

Thank you

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Thank's for your very complete an clear videos ❤

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Are you still answering questions it’s an old video

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1:00 Ayoub D D T 1:37 Ayoub D kD T + Dk kD T 2:19 Karachi T T D 3:04 Karachi T kT D + Tk kT D 3:40 Malfouf D T T 4:28 Malfouf D kT kTk 5:00 Khaligi D D T 5:48 Khaligi D kD kTk it'd be good if you copy-pasted the time values into the description :) your onscreen notation is perfect! GREAT lesson!! - -

I love your videos, its the best material I can find that teaches darbuka😊 I have a question: How would you structure what you play if you would just play in front of some people on your own? And how do you do that if you play together with people? So far I'm just having lots of fun practising at home, but if I was to do so in front of some friends, I wouldn't know how to..

Thank you for these! I'm currently favouring the thumb myself but greatly see why the rest of these pops are valuable expressions worthwhile mastering...or at least attempting to. PS am I correct in assuming you also deeply appreciate middle eastern progressive metal fusions too?

hi. After one and a half months, still practicing the 4/4ths. Can i, according to the first, write the hits and practice walking maksoum and walking baladi, following the basic rythms?

Nice, sounds good and is fun to practice, a double : win , win. Thanks for the vid, glad its still up after all this time... -Cheers

Never heard of anyone else doing this, but I do it. I like it with some of my favourite latin music, like Celia Cruz.

03:58 but relaxing the fingers to "limp" condition makes all neighbour fingers to strike the drum as well *(they also get limp - and gravity and inertia makes them to strike the drum)... When i try to strike Ka with the limp ring finger - my limp middle finger lands a strike too. Same problem with the index, my my middle finger also lands and produce a double strike. How do you isolate the ring and index fingers from the rest of hand? Selective "limping" keeping middle finger stiff "at demand"? I dont get it, I can relax all the fingers at the same time - or none.

Let aside the natural skin, I'm positively impressed by that Remo Skyndeep. Unfortunately it doesn't exist in 22 cm / 8.6" 🙁

Cool ! I was a bit anxious to start my self-teaching (I'm a night-owl), but this will greatly help me. Thank you ! 😊

Best darbuka tutorial on the darbusphere, wa-'llahi ! 👍🏼

Wow, soooo cool !! Thank you for sharing !

My brain happens to work just like yours, lol. I'm presently learning the frame drum, and the darbouka is already showing up in my not-so-far future. That's why I have started writing down what I learn too. It took me quite a while to figure out the "silent" parts of the beat pattern (4 beat times becoming 8, or even 16) and this video came right on spot ! Thank you for sharing.

Thank you so much for the very detailed tempo structure ! 👍🏼

Indeed, a question: the rythm I most love, the debka appears nowhere. Why?

Beautifully explained. THANKS you! I am crippled on the right hand but, being stubborn I am suceeding. And right now Very happy that finde your channel

Amazingly clear instructor i love your tutorials

Thank you friend

你好，先生。谢谢你上传的视频。祝你身体健康，为我们分享更多的视频。

excellent lesson/tutorials bruv. So damn useful been applying these to darbuka and very very elementary riq. Super useful sir. Thank you for these!

sounds like Your darbuka is animal skin ... bass thick sound is coming on Dums , thanks for your efforts

Thank you

Great tip! You can also use the same principal to create a cool wah-wah effect with one hand while playing.

what is the model of darbuka he played on?

Thank you for the video. Are you able to give the spellings for the people mentioned!

I only this is an old video but I absolutely love the way the information is presented

This is super helpful for me in studying Arabic rhythms! Exactly the type of teaching I needed

Sweet tutorial!

your instructions are really clear - love that you take the time to teach the basics - thank you so much Geoff!

Great explanation

ı am from turkey but I have never seen a teacher who teaches well. I want to thank you very, very much. you are wanderful😊

I'm half Egyptian and my father bought me a Darbuka in Alexandria like 30 years ago. First now I actually started to learn :) And wow, so much fun even when you start to learn the basic :)) Thanks for great tuts.

Thank you

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Very very clear

Great work Muallim!

How about level of playability over the original issue drum head? Or the effort to produce the same level of sound. I've only tried a Remo Skindeep Fishskin on my El Fan Sobotie Plus and while I liked the looks and texture it seemed to take more effort to get good sound over just hearing my finger falls. I went back to the oem head.